May, 2011

The Eyes of St. Anthony (Episode 9 of 9) Finale!

Previous Episode

The dramatic conclusion!  Thanks for watching!

Sarah Bleakley, the producer of The Eyes of St. Anthony also worked with Paul Devlin on the rockumentary, CutTime - a nostalgic look at the exciting independent music scene in New York City in the early ‘90s.  That’s our next web series, so stay tuned!

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Remembering Claire

Friends and family of Claire Missanelli gathered this past Sunday to pay tribute to a powerful women who touched so many lives with her kind heart.  The memorial was poignant and cathartic, with eloquent expressions of joy and sorrow in words and music.  This video is from our colleague in Tbilisi Georgia, Valeri Odikadze, the Georgian co-producer of Power Trip.  It sums up the love that Claire inspired.

Field Hollers Yield Dollars - Episode 2 (of 5)

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The Blues traces its musical roots to the artists enslaved in the cotton fields of America. In the 1940's and '50s, the Blues evolved with new technology to become Rhythm & Blues. Field Hollers Yield Dollars tells the uniquely American story of how Rhythm & Blues was whitewashed to become Rock & Roll.

Episode 2:

While recording R&B legends in his Memphis studio, Sam Phillips discovers his
meal ticket in a marketable white fan named Elvis Presley. Elvis begins his career
reinterpreting his favorite R&B songs, but his emergence begs the question: What was
the first Rock & Roll record and who was the first Rock Star?

Look for new episodes each week. You can subscribe to the podcast on iTunes or re-visit us for more videos of the series.

And be sure to look for Jim in the upcoming DevlinPix music-comedy Super Star Dumb.

Memories of Claire

Posted by Rina Svet:

I miss Claire, more than I can say.  I wrote that much, and sat down to doodle a little scribbly drawing on my notepad because I don't really know how to continue.  How do you say goodbye?

We gathered last week to do just that, and the video we're sharing today is the one that played at Claire's memorial.  A little glimpse of her life.  We wanted to hear her again - have her with us.  A tribute to all that she was. So hear her voice, and remember Claire, like we do. Every single day.

Claire, I remember when I walked into DevlinPix for the very first time, and there you were.  There you were. And now here we are. And this post won't have an ending.  So instead I invite you to share all your memories of Claire.  With Claire.  Just post them here and together we can keep her memory alive. 

We would also like to take a moment to thank Richard Martinez for providing the music for this video (it came from the BLAST!) soundtrack, and Melissa Dymock for doing such an amazing job gathering all the photo/video materials for this video and with everything else!

Field Hollers Yield Dollars - Episode 3 (of 5)

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Previous episode   Next episode

The Blues traces its musical roots to the artists enslaved in the cotton fields of America. In the 1940's and '50s, the Blues evolved with new technology to become Rhythm & Blues. Field Hollers Yield Dollars tells the uniquely American story of how Rhythm & Blues was whitewashed to become Rock & Roll.

Episode 3:

Many consider Rocket 88 to be the very first Rock & Roll record. Jim sheds some light on a period where Sam Phillips was recording this style of raw R&B, with young inexperienced musicians, and reveals what he believes to be the first record that truly deserves the label of Rock & Roll. In this context he also discusses the co-opting of Elvis and how his musical heros were left unremembered, flat broke and busted.

Look for new episodes each week. You can subscribe to the podcast on iTunes or re-visit us for more videos of the series.

And be sure to look for Jim in the upcoming DevlinPix music-comedy Super Star Dumb.

Slam Poem: Evert Eden - "The Hate of Love

Guest post by Evert Eden aka Adam Ash!

This is a poem that started out as a rant against one woman who'd dumped me and a praise song for another with whom I was having the most excellent sex. I read it at a workshop of a tribe of us downtown Nuyorican poets who met every week in 1993-94 under the guidance of Professor Steve Cannon, the eminence gris of downtown New York poetry and art, and Bob Holman, the founder of the Bowery Poetry Club, who back in those years was the slam master at the Nuyorican Poets Cafe.

Cannon and Holman have a truly encyclopedic knowledge of poetry and poets, and their comments were invaluable to all of us. Plus when you heard what other poets were coming up with, it invariably influenced you. A young poet who was much influenced by Rimbaud read a short piece that was pretty wild with the metaphors; this one little poem immediately freed me from my T.S. Eliot fixation into the madness of doing whatever the fuck I wanted with language and metaphor. It became an obsession with me to go as far out as I could with the most extravagant shit I could imagine.

Now when I read this particular little rant, one of the poets there that night picked out a line in the middle of the poem that he thought was very strong. Hmm, I thought. In my rewrite, I moved the line to the end of the poem, and then went back over the whole damn thing to anchor the poem around political and cultural strife. Suddenly everything came together, and the poem actually meant something.

One likes to think of a poet as a creature who writes her thoughts in the very private and splendid isolation of an Emily Dickinson, but some of us find that a poem can be improved immensely if it has to fight for itself in the open, exposed to the public gauntlet of other poets.

OK, some links. My book of poems, Suck My Poem, is available here, and my novel Vagina Rebel is available here.

These days I've reincarnated myself as Adam Ash, singer-songwriter, who performs solo and with his band the Dingbots. Check out my band's CD here and follow my music career here, where you can also listen to three of my songs, including the rather bizarre My Girlfriend Got Freaky with a Strap-on.

Field Hollers Yield Dollars - Episode 4 (of 5)

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The field hollers and work songs of American slaves morphed into the blues, which evolved into rhythm and blues as technology advanced. Field Hollers Yield Dollars tells the uniquely American story of the marketing scheme that whitewashed rhythm and blues to create rock and roll.

Episode 4:

Jim discusses how the music in the United States at the end of the 50s became lifeless under the control of the music industry. Teen idols were churned out of the machine and onto television, and all the while, young people across the pond were discovering a treasure trove of American blues records from cats like Muddy Waters. The Rolling Stones and the Beatles bring America’s music back to America, but Jim tells us how they ended up managing their careers far better than Elvis did before them.

Check back Tuesday, May 31st for the series finale! Or you can subscribe to the podcast on iTunes to get the next episode as soon as it's available!

And be sure to look for Jim in the upcoming DevlinPix music-comedy Super Star Dumb.

BLAST! Production Update - Mountainfilm in Telluride

Posted by Paul Devlin:

MountainFilm in Telluride is happening May 27-30.

This is one of my favorite film festivals, programmed by our friend David Holbrooke.  It’s really much more than a film festival, with lectures, exhibits, and symposia accompanying movie screenings.

When Power Trip played there I had the opportunity to engage David’s father, diplomat Richard Holbrooke in a sustained discussion about the Republic of Georgia during the Q&A. This video shows the fun we had at the U.S premiere of BLAST! at Mountainfilm as part of our Artist Share project.  Great screenings including the longest sustained applause I’ve ever had for one of my movies at a packed 9AM screening in the Nugget Theater.   

Definitely go to Mountainfilm in Telluride if you have the chance. You can’t beat the setting or the people.


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Field Hollers Yield Dollars - Episode 5 (of 5) Finale!

Subscribe to the podcast on iTunes

Previous episode

The field hollers and work songs of American slaves morphed into the blues, which evolved into rhythm and blues as technology advanced. Field Hollers Yield Dollars tells the uniquely American story of the marketing scheme that whitewashed rhythm and blues to create rock and roll.

Episode 5:

The finale of Field Hollers Yield Dollars! Jim speaks about the Soul music of the 1960s, with its deep roots in the passionate gospel songs of the past, and tells us why record labels continue to be relevant despite; file sharing, internet self promotion, and the occasional artist, like Jimi Hendrix, whose talent is impossible to reproduce. Marquise concludes the series by asking Jim about his personal definition of success.

You can subscribe to the podcast on iTunes to get the full series delivered straight to your computer or mobile device!

And be sure to look for Jim in the upcoming DevlinPix music-comedy Super Star Dumb.

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